8/14/2023 0 Comments Gaudi houseThis cookie is set by GDPR Cookie Consent plugin. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. It also includes furniture, sculptures, drawings, paintings, and other items of Gaudí’s coworkers that are also in exhibition in several rooms of the museum. There are wrought iron elements also designed by Gaudí exhibited in the garden, that are considered the most valuable items of the entire collection. The collection is presented in a way to represent memories of when Gaudí lived in the house, and you can view this in rooms like the bedroom, the study or the inner door, and even some personal belongings of the architect. The basement is not accessible to visitors, and the second floor contains the Enric Casanelles Library, that can be accessed with prior permission. The ground and first floors showcase the collection opened to the public. On 28 September 1963 the house opened as the Gaudí House Museum. The couple admired Gaudí, and they called the residence the Gaudí House. Both of them passed away during their stay there, and Gaudí remained living there until 1925, when he moved to the workshop of la Sagrada Família a few months before his death in 1926.Īfter Gaudí passed away on 10 June 1926, his residence in Park Güell was placed for sale and an Italian trader bought it that same year, Francesc Chiappo Arietti and his wife Josefina Sala Barucchi who moved right in. Gaudí bought the house and lived there with his father and niece. The model property was designed by the architect Francesc Berenguer i Mestres, was built by contractor Josep Casanovas i Pardo and signed by Gaudí himself, between 19. Only two of the houses were built of the whole complex envisioned: doctor Trias i Domènecech’s House, and what is now today the Gaudí House Museum, which then had to serve as an attraction for potential land-buyers. The project was not completed because the works stopped in 1914. Güell commissioned the project to Antoni Gaudí, with a vision of having sixty houses with gardens and all the necessary services. The original model is on display in Barcelona.Īt the end of the 19th century, the industrial tycoon Eusebi Güell i Bacigalupi returned to Barcelona after a stay in England with the intention to build a garden city for the Catalan elite, on the grounds of the property Can Muntaner de Dalt, which he had acquired in 1899. He would photograph the model from several angles until he reached the exact shape of the structure of the church, knowing from the model precisely where the columns would go. Then, he put small sacks filled with pellets from each of the catenary arches formed by the cords. He would hang cords on the points where the columns would be placed. It is known that Gaudí drew the outline of the temple he was designing on a board made of wood, on a scale of 1:10, that he then attached to the ceiling. Gaudí applied this tension-compression analogy to chains hanging from chains asymmetrically, that allowed him to design a much more fluid architecture. A chain that is suspended from both ends results in a catenary curve that distributes the static load naturally – tension, in this case – and evenly between the links of the chain. The process of experimenting with such models led him to discover a form to use traditional Catalan masonry techniques in new, more complex ways. Gaudí preferred the use of modelling architecture over drawing it specially models made of chains that hung from the ceiling, or strings with small weights attached to them.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |